Deprived of "inner life", architectural objects accelerate self-destruction process, the nature does not except emptiness and futility. In the video "33", Victoria Gordeeva fills the empty "woun" of the industrial building (the elevator of Svetogorsk), which has almost vanished into space, with 33 "healing" bright tennis balls. They refuse to obey the law of gravity and become the least, idealy anti-utilitarian and surreal inhabitants of the huge, concrete ruin supported by antique-like columns. The balls give a building some virtual, digital, postmortem life for a while as an object of video art.